{"id":3012,"date":"2025-01-17T17:20:02","date_gmt":"2025-01-17T17:20:02","guid":{"rendered":"https:\/\/friscotimes.org\/?p=3012"},"modified":"2025-01-17T17:20:02","modified_gmt":"2025-01-17T17:20:02","slug":"in-san-antonio-an-orchestra-was-reborn-can-it-endure","status":"publish","type":"post","link":"https:\/\/friscotimes.org\/?p=3012","title":{"rendered":"In San Antonio, an Orchestra Was Reborn. Can It Endure?"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div data-testid=\"companionColumn-0\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">When the musicians of the San Antonio Philharmonic gathered on a recent night to rehearse Beethoven\u2019s Ninth Symphony, the mood was celebratory.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The <a class=\"css-yywogo\" href=\"https:\/\/saphil.org\/\" title=\"\" rel=\"noopener noreferrer\" target=\"_blank\">Philharmonic<\/a>, which was formed after the demise in 2022 of the San Antonio Symphony, the city\u2019s 83-year-old ensemble, had reason to be hopeful. The ensemble had found a new home inside an ornate Masonic temple; it had recruited a respected music director, Jeffrey Kahane; and it had unveiled an ambitious slate of programming, including a mix of contemporary and classical works.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cWe\u2019ve got a beautiful path forward,\u201d said Lauren Eberhart, a veteran trumpet player. \u201cI\u2019m not buying into the doom and gloom.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">But as Beethoven\u2019s music echoed through the Masonic temple\u2019s auditorium, the challenges facing the Philharmonic were also present.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-1\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Staff turnover has hampered some of the Philharmonic\u2019s priorities. Bitter disputes have erupted among board members and donors. And financial strains have forced the orchestra to make last-minute trims to its season.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The Philharmonic hopes to move beyond those troubles and show that San Antonio, with a population of about 1.5 million, can support a thriving orchestra. But it is attempting to do so at a difficult moment for American symphonies, which have long faced existential questions.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Across the country, orchestras are still recovering from the hardships of the pandemic, which exacerbated financial difficulties at many institutions. Audience habits have shifted, and box-office revenues have dwindled with the decline of the old subscription model for selling season tickets, leaving ensembles to depend increasingly on donations.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-2\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">San Antonio hopes to follow the example of other orchestras that have emerged from bankruptcies and management woes, in places like New Orleans; Kansas City, Mo.; Denver and elsewhere. But it can be a difficult road, filled with thorny legal and financial questions, staffing issues and internecine disputes.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-3\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201cThey have to show a united front,\u201d said Mark Volpe, a veteran orchestra leader who most recently managed the Boston Symphony Orchestra. \u201cThey have to have a purpose and a mission that has hopefully evolved from the mission that failed.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">San Antonio\u2019s leaders say they are undaunted by the challenges. They say that they are committed to finding new audiences and patrons in the community, and that they want to take a creative approach to programming. The ensemble has played in recent months at lucha libre matches and alongside pop stars, including the singer-songwriter Christopher Cross, who is from San Antonio. This month, the orchestra presented \u201cSelena Vive,\u201d featuring hits by the Tejano singing star.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The Philharmonic has opened offices on San Antonio\u2019s west side, home to some of the city\u2019s poorest residents, part of its efforts to make the arts more accessible.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cWe have to be bold,\u201d said Roberto Trevi\u00f1o, a former City Council member who has served as the ensemble\u2019s executive director since 2023. \u201cWe\u2019re prioritizing the community. How do we get out for the community? How do we be there for them?\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The San Antonio Philharmonic was <a class=\"css-yywogo\" href=\"https:\/\/www.texasmonthly.com\/arts-entertainment\/san-antonio-philharmonic-symphony-shutdown\/\" title=\"\" rel=\"noopener noreferrer\" target=\"_blank\">born out of a crisis in 2022<\/a>, when the San Antonio Symphony\u2019s managers, citing financial problems worsened by the pandemic, proposed cutting the number of players to 42 from 72, shortening the season and reducing pay by almost a third. The symphony, a full-time ensemble, had been a pillar in the community since it was founded in 1939 by Max Reiter, an Italian-born conductor.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The musicians went on strike to protest the cuts, and the orchestra filed for bankruptcy. Two months later, a group of veteran musicians announced the creation of the Philharmonic. With support from donors, they planned an initial season of 10 classical concerts and three pops programs at the First Baptist Church in San Antonio.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-4\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Brian Petkovich, a bassoonist who helped found the new ensemble, said the difficulties of the pandemic had inspired the musicians to try to keep the ensemble alive: \u201cthe fact that people were isolated and that the performing arts are, at the core, a person-to-person contact.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cIt\u2019s neighbors playing for their neighbors,\u201d he added.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-5\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">The Philharmonic is made up of roughly 70 orchestra members, about half of whom played in the San Antonio Symphony. The musicians are still represented by a union, the American Federation of Musicians. Their base pay is $184 per concert or rehearsal, compared with $160 previously, though they no longer have a pension fund or a health insurance stipend. The season is 18 weeks long, compared with 26 weeks previously.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">While the birth of the Philharmonic drew praise in San Antonio, the fledgling organization has run into some difficulties.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The organization has been forced to postpone some concerts at the last minute because of financial problems. And there have been high-profile departures, including Sylvia Romo, the Philharmonic\u2019s chief financial officer, who left just as the 2024-25 season was starting in September.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">In an interview, Romo cited a \u201clack of accountability, a lack of proper accounting policy and weak internal controls.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-6\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201cAll these things an organization should have in place,\u201d she said, \u201cand they didn\u2019t.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Trevi\u00f1o disputed Romo\u2019s account, saying her comments were \u201cattempts to try to smear an organization that\u2019s already got a lot to deal with.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The troubles have extended to the Philharmonic\u2019s board, which was paralyzed last year by <a class=\"css-yywogo\" href=\"https:\/\/sanantonioreport.org\/san-antonio-philharmonic-board-dispute-over-fall-season\/\" title=\"\" rel=\"noopener noreferrer\" target=\"_blank\">power struggles<\/a>.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">In the fall, a former board member, David Wood, and his wife, Colette Holt, sued the Philharmonic, accusing the orchestra of failing to pay back loans to acquire a music library and a band shell. The Philharmonic filed a countersuit, accusing Wood and others of trying to seize control of the board.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The Philharmonic, in its third season, is now working to get back on track.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The orchestra recently announced it had found a permanent home: the Scottish Rite Cathedral, a Masonic hall in downtown San Antonio. The hall, built in 1924, will likely require more than $40 million in repairs and renovations; the Philharmonic said it hoped to secure private donations and government aid.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">This season is the first under Kahane, a veteran conductor who began appearing with the San Antonio Symphony in the early 1990s.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-7\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Kahane said he had been surprised by the scale of the political and legal challenges the orchestra has faced. He blamed the turmoil on a \u201crelatively small group of individuals who have agendas.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-8\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">And though the orchestra is in what he called a \u201cdelicate condition,\u201d he said he was optimistic.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cA lot of this conflict is already or soon will be in the rearview mirror and we will be moving forward,\u201d he said. \u201cPeople will come to see that we are a viable institution and a going concern.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cThe overwhelming sentiment, certainly among our audiences and in our orchestra, is there is tremendous potential,\u201d he added.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The Philharmonic\u2019s musicians say they believe they are now on more stable ground. As they gathered to play Beethoven at the Scottish Rite with Kahane in November \u2014 their first rehearsals in the space \u2014 they smiled and hugged one another.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Eberhart, the trumpet player, was in tears.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cWe\u2019ve had this dream for a long time,\u201d she said. \u201cIt\u2019s kind of emotional for me, with everything we\u2019ve been through.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>When the musicians of the San Antonio Philharmonic gathered on a recent night to rehearse Beethoven\u2019s Ninth Symphony, the mood was celebratory. The Philharmonic, which was formed after the demise&hellip;<\/p>\n","protected":false},"author":422,"featured_media":3013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4004,3998,3999,4,4003,4002,4000,4005,4001],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>In San Antonio, an Orchestra Was Reborn. 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